About

I paint the distance between who we are and who we're asked to be.

I'm Emanuele Fortunati, a conceptual artist. I don't try to close that distance. I make it visible.

Emanuele Fortunati painting in his studio

Where it started

I tried both sides. Neither was all of me.

For years I followed every convention to earn my place in society: a successful career in tech, stability, and a lot of stress. Then I swung to the opposite and became the black sheep, looking for something more authentic. Both times, staying coherent with my choice meant cutting off a part of myself.

So I stopped believing identity has to be coherent. For me, contradiction isn't a flaw, or a phase. It's the condition of being human.

The studio, during the instinctive phase.

How a work is made

A method, not a mood.

Every work goes through the same three phases. The art doesn't illustrate the research: it is the research.

i.Observation

It starts with a conflict.

Between what someone is and what their world asks them to be. Mine, for example: someone compliments something I did, and I look down instead of letting it land. One part of me wants to be seen. Another learned that being seen is arrogant. Both are mine.

I don't rush to pick one. I stay inside that discomfort, and that's where a painting starts.

ii.Decomposition

Two moments, back to back, opposite.

First, I paint it.

Physically, instinctively, with my reasoning switched off as far as I can. What lands on the canvas isn't a picture of the conflict: it's the trace it leaves.

Then, I read it.

I come back to the canvas cold and read it symbol by symbol, until I can name the exact contradictions that made it.

iii.Symbolic translation

What I find becomes form again.

A series, an installation, a participatory project. Not to explain my conflict to you, but to give you the conditions to recognise your own.

My work offers no solutions. It makes a condition visible.

Both of Me. Finally., painting by Emanuele Fortunati
Both of Me. Finally.

The paintings in the collection

They're where everything starts.

Every painting in the collection comes from that first, instinctive moment: the conflict, before I understood it. They're the raw material the whole practice is built on.

Some of them go further, and become the starting point of a conceptual project. Or even the project itself.

The conceptual projects have their own home, at emanuelefortunati.it.

Why I sell them this way

When you match with a piece, you go through the same two moments I did.

First, the instinct.

You recognise something in it before you can say what.

Then, the reading.

In our two conversations, we find the words for it, together.

My process, applied to you.

Discover the experience

Exhibited

Where the work has been.

  • 2025
    Festival de CannesWorks reinterpreted in textile form
  • 2025
    Milano Fashion WeekWorks reinterpreted in textile form
  • 2024
    Alfabeto AstrattoInternational catalogue and exhibition · Palazzo dell'Emiciclo, L'Aquila · artistic direction Miguel Gomez
  • 2024
    Museo BelliniFlorence
  • 2024
    AAIEE Gallery CenterRome

Now, meet the work.

Or something made from your own story: The Marker · Commissions